An Open Letter to Meghan Trainor:
First of all, congratulations. So many congratulations!
You’ve had an amazing year. I can only hope that my daughter has a tenth of
your success and self-assurance (and income) at your age. Which is 22.
Twenty-dang-two. Barely old enough to buy champagne and you’ve got a closet
full of awards and constant radio play. Brava, honey.
What you’ve also got, as I’m sure you’ve noticed, is a lot
of attention. I hope that most of it is positive and is filling your life with
light and joy. But I know not all of it is. Aside from the assuredly awful
comments you must get from a wide range of cretins just by being a woman and
existing in public, there’s also been a negative wave coming from what seems
like an unexpected source: feminists.
I’ve seen multiple articles decrying your lyrics as
regressive, body-shaming, and even sexist. And the reason I’ve seen these
articles is because, as a card-carrying feminist, I read the publications that
produced them. And while I can see that not every one of your songs is a flawless
paean to total gender equality, I totally disagree with their assessment about
you as an artist.
It seems like because your first big hit had a refreshingly
body-positive message, a lot of people were expecting you to bound into
mainstream radio as a fully formed feminist icon. As a result, you got a level
of criticism that the typical pop star gets to avoid. People attacked the fact
that you sang jokingly about “skinny bitches” without noting that the entire
reason you recorded “All About That Bass” yourself (instead of handing your
song over to big fancy stars as you’ve been doing professionally since you were
EIGHTEEN) was because there wasn’t a single not-size-2 singer out there to take
it.
Sure, “Dear Future Husband” isn’t a Steinem-esque manifesto.
But it’s not setting the movement back 30 years, either. I hear a woman clearly
prioritizing her career, owning her foibles, and demanding respect from a
partner, which is 1000 times more feminist than the typical mantras of “you
complete me,” “please don’t leave,” and “you treat me badly but I love you”
that have comprised female voices in pop music for the last six decades. You’re
bemoaned for wanting to be loved even when you’re acting crazy? That sentiment
made up 70% of Fiona Apple’s early radio play.
And clearly, the people criticizing these two songs haven’t
heard the rest of the album, which my children and I have been listening to
non-stop for months. I tend to hit Skip on “Walkashame” at the moment, although
will encourage its “Hey, I make my own decisions and at least I was being
smart” stance when my kids get a bit older. The way “My Selfish Heart” laments
having to pass up love because of a focus on following one’s own dream may not
be an ideal representation of an equal relationship, but it’s a realistic
portrayal of the struggle many women face. The fact that you’re aware of it at
21 gives me a lot of hope and enthusiasm for your perspective as you move
through the first real decade of your adulthood.
And that's why felt like I had to write this,
because I want you to know that I represent everyone excited to see where you
go next. I believe you’ll grow and learn and change, just like everyone does,
and I hope you won’t quit sharing messages about acceptance and ambition and
love on your own terms just because some people don’t think you’re doing it exactly
right. Nobody does it exactly right, but
most of us don’t have the world watching while we figure things out. Just don’t
confuse criticism of your work with your validity as an artist and
professional. You’re phenomenal, and as my 12-year-old daughter belts on a
regular basis, every inch of you is perfect from your head down to your toes.